Medea only sought for the rights of everyone else and because of that she was considered different and was avoided by others. Men were to be above the women, but Medea knew she had to rise above to get exactly what she wanted so she struck out in manners not normal of women and was feared by many.
This is the reasons of her distress and the tragic ending that followed. Medea is the story of how the loss of love and the separation from others can turn to death and catastrophe.
Not only a woman and a foreigner, Medea is faced with many other civilian haunting characteristics such as sorcery, intelligence and cleverness. By fault, Medea is no idiot and realizes why she is alienated by others. Medea knows as a foreigner, she must adapt but still she will always be judged by her past mistakes and history. She declares this while continuing to address the chorus:.
Yet what applies to me does not apply to you. You have a country. Your family home is here. You enjoy life and the company of your friends. But I am deserted, a refugee, thought nothing of by my husband, — something he won in a foreign land. I have no mother or brother, nor any relation with whom I can take refuge in this sea of woe Medea ln. Women in those days were known not for their ideas or for being outspoken, therefore since Medea possessed both of these qualities, she was intimidating to others.
What might we expect of her in the course of the play, given the hints dropped by the Nurse, who knows her well, and the Chorus, who knows her less well? Provide support for your opinions with excerpts from the play. What kind of tone, or mood, does Euripides set in these opening moments, and what leads you to that conclusion? What stylistic devices does he employ to do so?
Medea and Creon 1. How does she arrange her arguments for maximum effect? Contrast the Medea of the opening speech to the Chorus with the one she presents to Creon. Does the tone she takes with each of them differ? If so, how, and to what effect? What are some of the strategies she uses to persuade them to her view? Are there any similarities worth noting between the two? Medea and Jason 1. And life consists of action, and its end is a mode of activity, not a quality.
The hero should not offend the moral sensibilities of the spectators; and as a character he must be true to type, true to life and consistent. See the Golden Fleece and Intertextual Greek mythical references. There is no doubt that Medea is a revenge tragedy that evokes strong reactions in the protagonists and ambivalent reactions in viewers. For many viewers, even the grief-stricken husband and father, the Jason of the last scene, does not seem to arouse pity.
Medea is introduced to the audience by the Nurse in terms that clearly foreshadow disaster. Throughout, the audience is encouraged by the chorus to sympathise with Medea: But the audience is taken, nonetheless, on a horrific journey into the depths of depravity that challenges the very limits of such identification.
At the heart of the tragedy lies a string of violent sacrifices arising from a passionate love affair. The Nurse depicts the first murder-sacrifice that reverberates throughout the play: In the absence of home, and in the face of such misery, Medea can only contemplate death. The exasperation and wretchedness in her voice are clear from the start: This deep, estranged and wailing voice sets up an encounter with death from which there appears to be no escape.
The dowry system, their lack of freedom in the choice of a husband, the inequality of divorce provisions and sexual inequality all contributed to their unequal marital status.
Defiantly, Medea dares to challenge the patriarchal social order when she challenges King Creon and Jason owing to their decisions about her future. In her first soliloquy, Medea, echoing the views of the Nurse, rails against the unjust and unequal plight of women in Greek society. She rails against the fact that women are expected to be obedient, suppliant and submissive. In this case, Creon, the king, is complicit.
He encourages the marriage and coerces Medea into submitting to their wishes, as presented as law. He also then decides to banish her and her children. The poets were all men Euripides predicts that the poets will have to rewrite the books. He foresees that, armed with greater foresight and understanding, the poets will need to amend their representation of women: Moving from the general to the particular in her first soliloquy, Medea personalises her plight to reinforce her individual misery.
For a Greek woman, their social status is intolerable; for a foreign woman it is unbearable. Betrayed and incensed, Medea knows that Jason owes his success to her. She killed the snake, which enabled Jason to return home a hero. As she plans the triple murder, her main motive is that she spares herself humiliation at the hands of the enemy.
Slipping into the third person as she often does to convey her wretched internal struggle, Medea steels herself to action and encourages herself to show the necessary courage to deal with her humiliation. On to the deadly moment that shall test your nerve!
On the one hand, Euripides sets up a contrast between Jason and Medea: Medea is the typically passionate and jealous woman who has been spurned by her ex-husband. Medea champions personal relationships and harbours a burning sense of justice. Our first encounter with Medea supports the view of an irrational, passionate and desperate outsider.
She already has blood on her hands and is capable of violent actions: Or moved her cheek from the hard ground.
The audience does not see Medea, but we hear her screech. Through interjections and questions, Medea wails and bemoans her misery. What misery, what wretchedness. Contrastingly, Jason appears cool and calculating. He saved her from the barbarous land. In justifying his new choice of bride, he claims that he was trying to protect their status, and standard of living. He says that he will provide well for her in exile. Although Euripides sets up a contrast between the two protagonists he also undermines their differences.
In this regard, Euripides deliberately builds a contrast between the vulnerable, passionate, scorned spouse and the phlegmatic protagonist who first emerges to address the Chorus: She appears strong, intelligent and clear-headed about her situation and her choices. Notice, too, how Medea at first universalises her plight and speaks sensibly on behalf of all women.
Only towards, the end of this first soliloquy does she personalise her situation and draw attention to her state of physical and emotional exile. This is why Creon fears Medea; she must reassure him and she does, temporarily and despite his wishes. Men distrust superior intelligence in general; they fear and hate it in a woman. She also dissembles in her discussion with Jason; she flatters him and uses self-deprecating terms to acquiesce to his authority.
Transforming herself into the stereotypical submissive and compliant housewife, she anticipates that Jason will be appeased.
She insists that Aegeus swear an oath to honour his commitment that she can live in Athens. She is feared by many. So may the gods grant you fertility, and bring Your life to a happy close….
I know certain drugs Whose power will put an end to your sterility. So, whilst magic belongs to the realm of the other, it also consists of a certain skill and deftness that one attributes to the Grecian world of law and order.
Whilst a general trait, such access to magic is also presented as rare, ingenious and uncontrollable.
- The Character Medea's Revenge in Euripides' Medea Medea is a tragedy of a woman who feels that her husband has betrayed her with another woman and the jealousy that consumes her. She is the protagonist who arouses sympathy and admiration because of how her desperate situation is.
Medea essaysMedea vs. The Traditional Roles of Women in Ancient Greece The Greek tragedy, Medea by Euripides, is the tale of a woman scorned and her tactful revenge. During the era in which Medea takes place, society often placed women into submissive roles. However, the play Medea challenges the.
Medea literature essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Medea. The tragedy “Medea” was written in B.C. by the Greek playwright, Euripides. Analysis Of The Play Medea By Euripides English Literature Essay. Print Reference this. Published: 23rd If you are the original writer of this essay and no longer wish to have the essay published on the UK Essays website then please click on the link.
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